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The Maytags
02/10/18
With:
Elizabeth Moen
The Feel Right
The Maytags
02/10/18
With:
The Candymakers
Blue Mud
1000Mods
02/11/18
With:
Telekinetic Yeti
Baracus
Radio Moscow
02/14/18
With:
Amplified Heat
Druids
Dave Simonett (from Trampled By Turtles)
02/15/18
With:
Trapper Schoepp
Extravision (record release party)
02/17/18
With:
Land of Blood and Sunshine
Odd Pets
Extravision (record release party)
02/17/18
With:
Har-di-Har
Nicholas Naioti
Today is The Day
02/19/18
John 5
02/20/18
The Accidentals
02/21/18
Mammoth Grinder
02/22/18
With:
Closet Witch
Idolist
Blood Spell
Colter Wall
03/23/18
Druids 10 year Anniversary Show
03/24/18
With:
The Gorge
Traffic Death
Let It Breathe
Cantharone
Son of the Morning
Ed Schrader's Music Beat
04/06/18
With:
Goldblums
Greg Wheeler and the Polygamist Mall Cops
Tires (ep release party)
04/20/18
With:
Blood Spell (ep release)
Yetta
Jinnouchi Power
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Twinsmith

Sat, November 18, Doors: 9:30 pm - Show: 10:00 pm - 21+ - $7  Artist Website
The Vaudeville Mews presents...
For Twinsmith, the occasion to make a third album came with an opportunity to distill their process down to its essential parts, and to re-focus the band's perspective in order to fully embrace their sound. Longtime friends Smith and Regner had written a pair of records as Twinsmith, starting with 2013's self-titled debut and then 2015's Alligator Years which earned press attention from outlets including NPR Music's All Songs Considered, Interview, NYLON ('Band Crush'), and Culture Collide, among others. While the lineup would grow to include bassist Sharp and other hired guns to round out the stage, the songwriting core learned to vary their approach while relying on each other to push the plot forward. Starting as DIY tinkerers in a basement, Smith and Regner would evolve their sound from hazy surf rock to a fuller, more dynamic guitar-and-keys pop appeal, making good use of the perks like recording studios and engineers that often come with progress. But as it came time to begin again for a new album, they found themselves looking back to the beginning, stripping back their process and recording in the dining room of their house using old synths and '80s drum machines.
With:
No Good Deed

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